The Bike Title Taped Inside My Husband’s Last Notebook Said One Dollar

Marcus Chen

My father leaned over my dying husband in front of fourteen men from his riding club and said our son would “have a real dad by ten, one who doesn’t stink of a garage.” Marlon didn’t look up. He laid fifteen numbered notebooks down the table and asked which of those men would still be breathing when our boy opened the last one.

Axel was six.

He was asleep at the neighbor’s that night, and he still believed his dad’s cough came from the cold weather.

The oncologist had given Marlon until spring. Maybe March. She said it the way you’d read somebody a bus schedule.

It was a Tuesday in October, at the truck-stop diner off Route 34 outside Ottumwa where the club ate after every Tuesday ride.

Fourteen motorcycles were backed in along the curb outside the window, front wheels pointed at the road, the way they always parked.

The notebooks were the cheap marbled kind, ninety-nine cents apiece at the drugstore.

One still had the orange price sticker on the corner.

Marlon had painted a number on every cover in white paint pen.

Seven through twenty-one.

Diego, the youngest of them, reached for seven.

Marlon put two fingers on it.

“That one’s not for you.”

“Okay. What is it?”

“His birthdays.”

Diego looked down the row. “Brother, he’s six.”

“I know how old my kid is.”

Ernesto sat at the far end. Silver beard, cropped hair, ink gone soft and blue on both arms. He’d been riding since before Marlon had a license, and he counted the covers with his lips moving.

“Why stop at twenty-one?” he said.

“Eighteen is the state’s number,” Marlon said. “Twenty-one is when he gets the Shovel.”

The Shovel was a 1979 Shovelhead that had lived under a bedsheet in our garage since Axel was born.

Marlon’s dad bought it used the year Marlon turned six.

Axel climbed on it every night after supper and made engine noises until his mouth gave out.

Marlon opened number nine and turned it toward me.

Across the top, in his square print: HOW TO FIX A FLAT.

Under it, two full pages. Where to find the hole. Why you don’t yell at the tire, because the tire doesn’t care.

Number twelve was about what to say when somebody bigger calls you a name.

The answer was nothing. Then half a page on what to do instead.

That’s when my father walked in.

I’d asked him to drive me home because my car was in the shop. I hadn’t told him about the notebooks. I hadn’t known about them myself.

He came in at twenty to nine in his good wool overcoat, car keys still in his hand, and stood at the end of the booth like a man waiting to be seated.

He looked at fourteen leather vests. Then at the table. Then at Marlon.

“Arts and crafts,” he said.

Not one of them laughed.

We lived in a house my father owned. He had never once let Marlon forget it.

“Colette. Get your coat.”

“Give me a minute, Dad.”

He picked up number sixteen before anybody could stop him and thumbed through it.

It was how to start the Shovel on a cold morning, with a drawing of the kick pedal in the margin.

My father read one page and snorted.

“So this is the plan,” he said. “You’re going to raise him from a box in the ground.”

He set it down and pushed it back across the table with one finger, like it was wet.

Then came the line about a real dad by ten. The one he’d been saving.

“Here’s what happens,” he said. “After the service, Colette and the boy move in with me. The garage gets cleared out that week. I already have a man coming for the motorcycle.”

Sunday came back to me all at once.

My father in the open garage door with his phone up, taking pictures of the Shovel while Marlon sat on the stool beside it, writing.

I had thought he was being sweet.

“You CALLED SOMEBODY?” I said.

“Two thousand, as is. The man’s doing us a favor.”

Marlon still hadn’t looked at him.

He was writing in twenty-one. His letters were coming out crooked, and he kept going back over them with the pen.

Then he capped it.

He looked at the men around the table, one face at a time.

“Which of you is going to be around when he opens this one?”

Fourteen grown men and not a sound.

Diego studied his coffee.

The new guy at the far end, patched in since June, looked at the door.

Ernesto was sixty-four. When that last cover got opened he would be seventy-nine.

He picked up a spoon and set it back down.

“I’ll be here.”

“You smoke a pack a day,” Marlon said.

“Then I quit Thursday.”

My father laughed, one short ugly sound.

“You people. Every one of you will be in a ditch before that boy turns twelve, and he’ll be better off.”

Ernesto stood up.

Not fast.

He took one step into the aisle, so he was between my father and the table, and he didn’t say a word. He just stood there with one hand open toward the booth.

My father had to tip his head back to look at him. I don’t think that had happened to him in forty years.

“Lorenzo,” Marlon said.

He had never called my father by his first name. Not once in thirteen years of marriage.

“Take a look at the last one before you sell anything.”

My father didn’t want to. His hand went to it anyway.

Taped inside the front cover was a folded paper, yellow at the creases.

The Shovel’s title.

On the seller’s line, in blue ink gone almost gray, was a signature I knew from every birthday card I’d ever gotten.

My father read it twice.

His keys stopped jingling.

He looked at Ernesto then, really looked, like a man spotting somebody across a gas station he’d hoped never to see again.

“WHERE DID HE GET THIS,” he said.

Ernesto didn’t move.

“Same place you left it, Lorenzo. Back in ’86. With the rest of us.”

One dollar

My father held the title by its corners, the way you hold a picture somebody else took.

I leaned across Marlon and read it upside down.

Seller, Lorenzo M. Orsini. Buyer, Wilkins Engel. August 22, 1986. In the box for the sale price somebody had written $1.00.

One dollar.

“He rode with us four years,” Ernesto said. “Parked third from the end. About where Diego’s bike is now.”

Every head at the table turned to the window. Diego’s bike. Then back.

“You rode?” I said.

My father folded the title along its old creases. He took his time about it. Then he tucked it back inside the cover of twenty-one and closed the notebook on it.

“I was thirty-one and I was stupid.”

“For a dollar,” Diego said.

“Stay out of it, son.”

I pulled twenty-one out from under his hand and put it in my lap. He let me. That scared me more than anything he’d said all night.

“I’m leaving, Colette. You can come or you can find another ride.”

He went. Through the window I could see him walk the long way around to his car, the whole length of the row, and not look at one bike.

Madelyn came by with the coffee pot and filled every cup at the table without asking, which she never did.

Marlon put his pen in his shirt pocket.

“Ask him what the dollar bought,” he said.

Grandpa Wilk’s bag

Ernesto took me home on the back of his bike, because Diego’s pickup had two seats and one of them was full of Diego’s tools.

I hadn’t been on the back of a motorcycle since before Axel. My father never once let me sit on one when I was a girl. When a pack of them came up Main Street on a Saturday he’d steer me into a store by the shoulder and wait until the noise was gone.

I’d always thought it was the noise.

He signed every birthday card I ever got the same way. Love, Dad. Then his whole name underneath, Lorenzo M. Orsini, like he was closing on a house. Forty-three cards. I have most of them in a shoebox.

The house was the other thing he signed. He bought it the summer Marlon and I got married and rented it to us for six hundred a month, which was a good price, and every Thanksgiving he found a way to say “my roof” before the pie came out.

People in town called him generous. He was. He paid for Axel’s car seat and both sets of braces I needed. He paid for things and then he stood in the doorway of them.

There’s a white line down the middle of my chest from when I was three. A hole in the heart, fixed at the hospital in Iowa City. The way my father told it, the insurance covered every penny. He said it like he was proud of the insurance.

When Wilk died in 2020, Marlon brought the Shovel home on a borrowed trailer and put the sheet over it himself. The left saddlebag has a little brass padlock on it. The key lives on Marlon’s ring, between the truck key and the one for the mailbox.

Axel asks about that bag about once a week.

“That’s Grandpa Wilk’s,” Marlon tells him. “It stays shut till it doesn’t.”

Marlon was asleep on the couch when we got in. Ernesto waited in the driveway with his engine running until I had the garage light on.

The sheet was still folded back off the tank, the way Marlon had left it Sunday.

Somebody had wiped the dust off the plate with the numbers, one clean stripe, the width of a thumb.

Wednesday, my father’s kitchen

I went to see him on my lunch break. I had a plan, and I’d practiced it in the car.

Ernesto had a two-car garage and only one car. The Shovel could go there. Dad could have his garage back, empty, and he could call his man and tell him thanks anyway.

My father listened to all of it standing at the counter. He didn’t offer me coffee.

On his refrigerator were three of Axel’s drawings, held up with magnets from his insurance agent. All three of them were the Shovel.

“The man comes Saturday at ten,” he said.

“Dad. It’s not yours.”

“It’s sitting on my property. It’s been sitting on my property for six years and nobody has paid me one dime to store it.”

“Then I’ll pay you.”

“I don’t want your money.”

“Then what do you want?”

He looked at the drawings on the refrigerator instead of at me.

“I want that thing out of my garage before the boy is old enough to start it.”

“Who’s the man?”

“A man. He has a trailer. That’s all you need to know about him.”

I told him Ernesto was coming Friday night to roll it over to his place.

My father nodded slowly, like I’d finally said something reasonable.

“Then Ernesto can take the three of you with it,” he said. “The house goes with the garage, Colette. You don’t get to keep one and give away the other.”

I asked him if he meant that. With Marlon on the couch most days now. With March.

He picked up my keys from the counter and put them in my hand.

“I mean it the way I meant it Tuesday.”

He held the back door open for me, the way he’d hold it for the man who reads the meter.

Barbara

My mother lives in Cedar Rapids with her second husband and a dog that barks at the phone. I called her from the parking lot of my work and sat there with the heater going.

I told her about the notebooks first. She cried a little, which I expected. Then I told her about the house.

“Honey, let him sell it,” she said. “You’re going to need money. Your father is trying to help you.”

“By putting us on the street?”

“Nobody’s putting anybody on the street. You’d be in his house. He has that whole upstairs.”

“Mom. Did you know Dad rode?”

The dog barked. She shushed it. It took her too long.

“That was a long time ago.”

“With Ernesto Figueroa. With Marlon’s dad.”

“Colette.”

“He sold his bike to Wilk Engel for a dollar. It’s on the title. I’ve got it in my purse.”

“He didn’t sell anything,” she said. “He gave it away. The week we brought you home from Iowa City he rode it over to Wilk’s and he walked home, and he never said one word about it after. And neither did I.”

I had my hand flat on my chest. I don’t know when I’d put it there.

“The insurance paid for Iowa City,” I said. “He’s told me that my whole life.”

“We didn’t have insurance. Your father laid tile for cash and we had thirty-one dollars in the checking.”

“Then who paid?”

My mother didn’t answer for a while. The heater ticked.

“Ask Ernesto,” she said. “I’m not doing this on the phone. And you do what your father says about that house, Colette. He’s carried you two for thirteen years.”

“Mom.”

“We didn’t have insurance, sweetheart. We had them.”

Saturday, ten o’clock

Ernesto showed up at nine with a box of nicotine gum in his vest pocket and his hands shaking a little. Thursday, like he’d said.

Rhoda from next door had Axel for the morning. I told her it was a doctor thing. She didn’t ask.

Marlon was in the lawn chair by the workbench with a blanket on his legs. He’d wanted to be out there. He watched me pull the sheet off the Shovel and fold it, and he didn’t say anything when I held my hand out.

He worked the key ring off his belt loop and dropped it in my palm.

“Dad said it stays shut till Lorenzo opens it or Lorenzo’s done,” Marlon said. “I figure he’s done.”

The little brass lock was stiff. It went on the second try.

Inside the left bag was a bank envelope, soft as cloth, the rubber band around it gone to brown crumbs.

There was a flyer in it, folded in four. Typed on a typewriter and run off on one of those copy machines that made everything look wet.

RIDE FOR COLETTE. Sunday, August 10. Leaves the Route 34 diner 9 AM. Iowa City and back. $10 a bike, more if you’ve got it.

Under that was a photocopy of a picture of a little girl in a sundress, squinting. My mother had the same picture in a frame on her stairs.

Behind the flyer was a page of lined paper, written in pencil. Names and numbers going down two columns. Figueroa, $40. Wilk, $500. The diner, $200. People I’d never heard of, five dollars, twelve dollars, a hundred.

At the bottom, circled twice: University Hospitals, paid, $4,312.

Under the circle, in a different pen, the same square print Marlon had.

L. signed the Shovel over 8/22. Wouldn’t take it back. Keeping it for him. W.

A truck turned into the driveway with a flatbed trailer behind it. My father’s car pulled in after it and stopped at the curb.

Ernesto took the flyer from me and looked at it a long time. He pressed a piece of gum out of the foil without looking.

“He rode lead,” he said. “Forty-one bikes behind him, all the way to your hospital window.”

The driveway

The man from the truck got out with a pair of tie-down straps over his shoulder. He was older than I’d pictured and had a cap from a feed store in Fairfield.

My father came up the driveway fast and saw what I was holding.

“Put that back,” he said.

I didn’t.

“Put it back where it was, Colette. That’s nobody’s business. That’s forty years ago.”

“Dad.”

“You think that’s a nice story? You want to know what that was?” He pointed at the flyer without touching it. “That was my name in the Courier. Orsini’s girl. Help the Orsini girl. Every man I laid tile for read it at his breakfast table. My own father didn’t speak to me for a year. He said I’d gone around town with my hat out.”

Nobody said anything. The man with the straps looked at his truck.

“I stood in that diner and I thanked them,” my father said. “Every one of them. And then Wilk Engel put my bike in his garage and kept it there like a receipt. Thirty-four years. I drove past his place every week of my life and I knew it was in there.”

He looked at Marlon then.

“And then she brings home his boy. And his boy moves it into my garage.”

“I didn’t put it there to hurt you,” Marlon said.

“It doesn’t matter why you put it there.”

The man from the truck cleared his throat. “Mister Orsini. You told me this was scrap.”

My father didn’t look at him.

“You said bring it to the yard and you’d pay the two thousand on top of the weight.”

So that was the favor.

Ernesto put his gum in the foil and folded it shut and didn’t move from the bike.

Marlon held his hand out to me. It took me a second to know what he wanted. I gave him twenty-one, and he opened it past the title to the last page he’d written on, the crooked one, and handed it back to me open.

I read it, and then I walked down the driveway and gave it to my father.

He didn’t want to take it. His hand went to it anyway.

Your Grandpa Lorenzo rode lead the day they took your mom to Iowa City. Ask him to show you how to start it. If he won’t, ask Ernesto. Either way, it’s yours.

My father read it twice.

He stood there with the notebook in one hand and his car keys in the other, and he didn’t say anything for so long the man with the straps took them off his shoulder.

“It’s not scrap,” I said to the man. “I’m sorry you drove out here.”

He nodded and walked back to his truck.

“Colette,” my father said. “If that motorcycle stays, you can’t stay in this house.”

“I know. We’ll be out by the first.”

“Where are you going to go? With him the way he is?”

I didn’t answer that. Ernesto pushed the Shovel off its stand.

My father laid the notebook on the Shovel’s seat, got in his car, and backed out around the trailer.

Notebook seven

Axel turned seven on a Tuesday in January.

We did it at the diner off Route 34, because that’s where Axel wanted it. Fourteen motorcycles were backed in along the curb outside the window, front wheels pointed at the road. Some of the men had ridden in eleven degrees to be there.

We live in a duplex on the east side now. It’s smaller, and the furnace sounds like somebody dropping silverware. The Shovel is in Ernesto’s garage under the same bedsheet, next to his wife’s car.

Marlon needed both hands on the edge of the booth to sit down. He did it himself.

Ernesto was on eighty-seven days. He had the gum in his vest pocket and kept tapping it to make sure.

A card had come for Axel in the mail that morning. Love, Grandpa. Then the whole name under it, Lorenzo M. Orsini. There was a twenty in it, and nothing else. Axel put the twenty in his boot.

Marlon slid notebook seven across the table to him. The orange price sticker was still on the corner of that one.

Axel opened it and ran his finger under the top line while Marlon read it out. HOW TO SHAKE A MAN’S HAND.

Axel read it all the way down, slow, with his lips moving the way Ernesto’s did.

Then he looked up.

“Does it say how to start the Shovel?”

“That’s sixteen,” Marlon said. “You have to wait.”

If this one stayed with you, pass it to somebody who still has an old bike under a sheet in the garage.

For more stories of unexpected kindness and hard-won family bonds, read the stranger at pump four with a message for her brother and the tarp someone lifted every Sunday for three summers. And for another tender story about a rider and a child, there’s the pink helmet he couldn’t bring himself to put on his granddaughter.